Episodes
Andre Stojka recently set a record -- he's played the role of John Avery Whittaker longer than either of his predecessors. Andre looks back on his time as Whit -- and forward to more adventures.
Robby Bruce (voice of Buck) and Shona Rodman (voice of Jules) share the latest developments in their characters and their own lives. Plus, what they think of the idea of Jules and Buck getting together.
If you haven’t heard “As Buck Would Have It,” don't listen to this podcast and go hear Album 72. If you have listened, join writer/director Kathy Buchanan and sound designer Luke Guenot to hear how this adventure was created. Note: This podcast includes both touching moments and morgue freezers.
Spoiler warning! Showrunner Marshal Younger looks back at the beginnings - and the ending - of the Olivia faith story arc.
Writer Bob Hoose and sound designer apprentice Zach Schneider (a newcomer to the podcast and team!) discover Drake’s softer side in this month’s Club adventure: "Drake and the Aberrant Automaton."
New Odyssey coordinator Megan Rolofson shares her Adventure to Odyssey.
Jonathan Crowe takes an adventure that no one on the Odyssey team has ever taken.
Writer/director Phil Lollar and executive producer Dave Arnold share how Dr. Seuss, the math problem 2+2, and the author of "A Christmas Carol" all connect to this month’s Club adventure.
Before Adventures in Odyssey, there was "Family Portraits," a short series that introduced the world to what was soon to be everyone’s favorite small town. In the episode "The Letter," a teen named Stacey gets into an argument with her father and eventually finds a way to forgive him. This was the first Focus drama featuring Katie Leigh, who would soon play Connie Kendall. Hear "The Letter" and Katie’s memories of the recording.
Showrunner Marshal Younger, writer/director Kathy Buchanan, executive producer Dave Arnold, writer/director Phil Lollar, and line producer Nathan Hoobler answer your questions, like: Will Eugene and Katrina ever adopt Buck? When is the next time we’ll see Emily, Morrie, and Suzu? How often are the writers' meetings and how many albums do you plan ahead? What are the plans for the Blackgaard books? And the question for the ages: Why did Mitch’s voice change in that scene in "Green Eyes and Yellow Tulips"?